Blue Yeti Nano Review

The Blue Yeti Nano Review: It seems like everyone has a podcast these days – and with good reason. Podcasting can be a fun and easy way to immerse yourself in the topics you love the most, so if you are a true crime lover, or a poetry expert. That is, it is easy to see if you have the right equipment. If you’ve recently searched online for the best podcasting microphones that you may have been using the Blue Yeti in the Nano.

The Blue Yeti Nano Review: Design

Most of the japanese Car the Nano is made of the same metal of an aluminum alloy as its bigger brothers, and it is solidly built and has a nice weight to it, with a touch of unique style. You’ll find the stylish, black-chrome, Blue-the logo at the top of the microphone. The detachable aluminum stand is perfectly weighted, and the shadow of a gray colour to match that of the microphone. The stand is bold, but subtle, and it has a unique design, and the environment. When the handset is in the standby mode, you can easily adjust the angle using the two knobs on either side of the microphone.

The Car the Nano is not fully cylindrical, like his brothers and sisters, and has a more aerodynamic, rounded, rectangular-shaped, which looks as if it’s traveling at a high speed. In our grayscale test, the mic has some style spotting in the paint, making it sparkle and pizzazz. It also comes in Red, Onyx, Cuban Gold, and they have a mix of the two, honestly, to make it look like Iron Man’s armor!) the Vivid Blue. They all seem to be great and to improve the podcast, and stream of the feature. These microphones will look great on the camera, and if you take one out to meet someone, I’m going to be blown away.

In front of the mic, you’re going to find a nice black multi-use button, adjusting the volume and lets you mute the microphone with the touch of a button. There is a ring of light on the button lights up in green when it is in use or red if it’s muted; he’s a very well-run, on the button, and it works without any problems. In the back part of it is the button that has the two small lights on either side to indicate the pickup pattern – cardioid or omni-directional – process.

Along the bottom you’ll find a micro-USB connector and a 3.5 mm headphone jack, a low latency, as well as to the standard of the thread for an optional add-on) Radius (III shock of the assembly, or to connect the arm, that is the way I set it up at the moment. The Car the Nano is pretty nice, and you can see that every detail has been carefully designed and crafted to excellence. The quality of the sound from the headphone jack to the 3.5 mm with low latency, it should also be mentioned, because she, too, is excellent.

The Blue Car Is Nano-Review: Performance

As well as all the other Blue Car speakers, the install is a piece of cake, and you’re ready to go as soon as you turn it on. However, you will need to download the Blue Yeti Sherpa software to adjust the level of gain to your Nano. But straight out of the box, it’s more than satisfactory to start the recording right away. The classical mic, the design of the cover includes a two-capsule microphone, cardioid polar pattern, which is adjusted and optimized in order to yield great results for recording.

With the ability to record high-quality 24-bit/48 khz (better than the Blue Yeti, Yeti in the Studio and in the Car Record) the Car have a Nano and brings high production value to your streaming, podcasting and other audio recordings. Even though most of the japanese Car the Nano, has only two, (omni-directional and a cardioid recording pattern in comparison to the Blue Yeti Blackout and the Yeti Pro, which has four cardioid, bidirectional, stereo, omnidirectional), and I think the quality of the recordings that I have done in both of these patterns are perfect and you don’t find any loss in sound quality with just the two of them.

The 24-bit/48 khz and stands out when you look at the wealth of each and every recording he was on, and I’ve never felt that with the Nano you missed the performance or anything at all, without the addition of writing standards. Each recording has been received loud and clear, and when I used it to make a call on Skype, the person on the other side, I found the audio from the “lovely, warm” and found the Yeti in the Nano that is visually appealing.

The Blue Yeti (Nano-Review

When I first recorded it for a voice-over in a standard cardioid polar pattern, the sound of my voice, it was perfect. The Blue Car is Nano captured the depth and width of the heat out of my voice, and I found out the recording is the equal of their big brothers, and more than any other microphone, such as the much more expensive Razer’s Seiren Elite, and Seiren Emote, which is the record at 16-bit/48 hz.

The standard omni-directional out as well when I spoke to the test on the for my significant. The recording is excellent, and I can’t see myself traveling with the Blue Yeti in the Nano and it’s doing an improvised podcasts, or interviews. Why, you ask? Why is the Car the Nano is a rugged, compact, and records in high-quality audio, and it’s a great portable studio option in relation to each other. The only major problem is the lack of a windscreen or a pop filter, you can buy it cheaper on Amazon for around $10. I hope that the Blue is going to deliver it to you in the future.


Most of the japanese Car the Nano this is one of my favorite USB microphones. The $99-in mic records high-quality 24-bit/48 hz, and produces a clear, crisp, and warm sound. Playing with the fantastic build quality, sexy, technical, and visual appeal, and the Blue and you have a winner. If you are someone who wants to take their podcast, streaming audio, or a personal recording to the next level, I highly recommend the Blue, you Still have a Nano, especially if you are looking for high quality at a reasonable price. The combination of design, quality, recording quality, portability and price makes it one of the best on the microphones.

9.5 The Total Score

The Blue Car in the Nano, combines an excellent quality of sound and ease of installation with a lightweight design and high quality.


  • Excellent sound quality
  • 2 Different Polar Patterns to choose from
  • Easy to install, Solid build Quality
  • Professional look and feel


  • Without a pop filter or windscreen
  • The gain is only adjustable via the software on the Sherpa